New Semi-Regular Series for The Edmonton Journal: Made In Edmonton

Often people get in touch with Sam Cupelli because they want a steel gate.  After they leave this craftsman's studio, called Simply Steel Metal Art Studio, they  have ideas for a whole lot more ways steel might fit in their home. In Cupelli's well-trained and creative hands, the options are endless: back splashes, wall finishes, chairs, table legs, spider webs, back lit bars and wall art...

Sam Cupelli at his art studio. Photo by John Lucas; Edmonton Journal photo credit.

This article is the start of a semi-regular series in the Edmonton Journal Homes Section, intended to excite our collective creative juices. There are so many ways to personalize our homes with art and function (often limited only by our imaginations). The series is also intended to feature the many amazing designer-makers in this city. They are creating beautiful things. With more buyers and collaborators like you and I, I hope they might stay in Edmonton and keep creating.

As William Morris so aptly said: “Let nothing in your house that you do not know to be useful, or believe to be beautiful.”

Edmonton Journal: Garden Art

Agile Lady by Ritchie Velthuis

For many years, I have passed, and paused at, and smelled this garden just three blocks from my home in the Alberta Avenue community.  While the plants are stunning, its vegetation isn't the main thing what makes me stop. Subtly scattered throughout is a menagerie of clay-fired and cement sculpture.

Homeowners, Ritchie Velthuis and his partner, Stuart Ballah, can often be found sculpting ice at our local winter festivals. In summer time, however, they turn their skillful, design eyes to their yard. Ritchie does mostly figurative art and he gracefully gave me a tour of their yard. See it here: A Yen for Yard Art

If his sculpture excites you, enroll in one of his classes at the City Arts Centre, and make one for yourself.

Avenue Edmonton: Work of Art

When Wendy Turner was 20 years old, she bought her first original pieces of art. Wandering in an Edmonton gallery in the late ’70s, she fell in love with two drawings by Victoria, B.C.’s Myfanwy Pavelic. The nude drawings, studies of Bill Brandt photos, are in black ink against a pale blue and cream backdrop. From afar, the bodies could be landscape form. “I saw them and I thought: ‘I want them,’” says Wendy, co-owner of The Artworks. 

This was one of my favourite homes to visit. So many things to look at, so many stories to tell- the piece could have been twice as long! Click here for the rest of the Article and further photos.

The Edmonton Journal: Embracing the Golden Stain of Time"

Photograph by: John Lucas, Edmonton Journal

My time with Ruth Glancy was an afternoon filled with discussion of English literature, architectural and political theory.

I've always respected the Arts and Crafts movement- much of the theory's ideas of quality over quantity and beauty before utility resonate in my own interior design.

Meet Ruth Glancy and view her lovely home here. 

Avenue Edmonton: Edmonton Theatre Launching Careers

For this article on Edmonton's theatre scene for Avenue Edmonton, I had the privilege to interview  Edmonton-based comedic actor and writer, Mark Meer.  With an internationally recognized voice (he is Commander Shepard in BioWare's Mass Effect), Meer's made a career of comedy: from the CBC's Irrelevant Show to Super Channel's Tiny Plastic Men. 

Meer says, “There’s a notable spirit of cooperation and collaboration in the Edmonton arts community.”  

And I had an incredible night seeing this spirit in beautiful, hilarious symmetry at Rapid Fire Theatre’s improv show,” Chimprov. The show moved from funny to tragic to crass and back to funny. As the actors sweated under bright lights and audience expectation, I couldn’t help but expect that these actors, many at the beginning of their careers, would go far.

Avenue Edmonton: Keeping Current with the Opera

Like so many of its traditional plots, opera faces an epic battle to remain relevant in the YouTube age. Perhaps the most of any art form, opera must overcome the stigma that its spectacle and grandeur are only meant for a privileged elite. “Every opera company has this challenge — reassuring people that they may come in gowns or sweats. We want people to come because they love opera,” says Jelena Bojic, Director of Community Relations with Edmonton Opera.

In this article for Avenue Edmonton, I write that opera in this city is becoming more accessible and more flexible.

I had the opportunity to meet Jelena at Edmonton Opera's digs in the Winspear Centre. In fact, I was invited to come through the "Performers Entrance" and I felt a jolt of celebrity fever. Sadly, I must report that no celebrities were seen in the making of this article.